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''Tous les matins du monde'' (English translation: ''All the Mornings of the World'') is a 1991 French film based on the book of the same name.〔(British Film Institute page about Tous les Matins du Monde ) accessed 10 April 2014.〕 Set during the reign of Louis XIV, the film shows the eminent musician Marin Marais looking back on his young life when he tried to become a pupil of Monsieur de Sainte-Colombe,〔 and features much music of the period, especially that for the viola da gamba.〔Malcolm, Derek. Viol Bodies. Film of the week: Tous les Matins de Monde. ''The Guardian'', 30 December 1992.〕 The title of the film is explained towards the end of the film; « Tous les matins du monde sont sans retour » ("all the mornings of the world never return") spoken by Marais in chapter XXVI of Quignard's novel when he learns of the death of Madeleine. ==Background== In the same year as the book's release, Pascal Quignard, together with director Alain Corneau, adapted the novel to the film that starred Jean-Pierre Marielle, Gérard Depardieu, Anne Brochet, and Guillaume Depardieu. The film is currently distributed by Koch-Lorber Films. The film revolves around the late-17th / early-18th-century composer Marin Marais' life as a musician, his mentor Monsieur de Sainte-Colombe, and Sainte-Colombe's daughters. The aging Marais, played by Gérard Depardieu, narrates the story, while Depardieu's son Guillaume Depardieu plays the young Marais. The haunting sound of his instrument, the viol (viola da gamba), here played by Jordi Savall, is heard throughout the movie and plays a major role in setting the mood. Though fictional, the story is based on historical characters, and what little is known about their lives is generally accurately portrayed.〔(Medieval Music & Arts Foundation - Tous les matins du monde : The Historical Evidence ) accessed 10 April 2014.〕 The film credits the scenes set in the salon of Louis XV as filmed in the golden gallery of the Banque de France. Described as a "crossover movie" with the music integrated into the story-line, Derek Malcolm saw Marielle's performance as "matching the music note for note".〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Tous les Matins du Monde」の詳細全文を読む スポンサード リンク
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